Or ripe later

I see my religion
in damp spots on the pavement.
Hear my lamplight -- SHWIGGG
out every lightpost.

I believe in my fever
scalding hotter into the night
and never allowing
something small and lovely
to enter the picture.

Pain
is the new color of light
fresh at dawn, or ripe later.

Not my kin

There are things 

you haven't said. []

There are words

we haven't used. []

Every 

day, the cinema's portholes expand,

a sea selling more widely -- a 

ship elongating imaginably.

Sure, 

If I wanted your pussy, I could say

that's it, right there, oh yeah, 

baby. 

Maybe 

it's time to admit that I've never been

more than a little bit impressed, 

meaning -- hey now, please don't 

believe me further than advisable --

it all comes down to a working man's 

pay. I have no interest 

in luxuries like you; 

they aren't 

my kin. 

Alive together

There are things that move
with certainty of darkness
under cover, under grime &
betrodden in bowels of cold
war water, grieved out pines
& the demarcation of what is
right & what couldn't be acc-
urately seen to be felt.
Yes, I have thought about the
rest of the world before and
I know that I will never be
a king. That's okay--I'm al-
ready a Main, all I ever need
is right here in my veins, &
we are here, alive together.

The Dirty Park / The First Boy

In the dirt park the boys would be at war with one another. In the mornings they'd awake and make each other lunch; usually tadpoles followed whatever could be dug out of the mud; perhaps cuttlefish.

Late-morning found them at the cinema, where they'd tug each other's heart strings and ask toward each other questions that were never -- and never will be -- answered.

At any rate, Raul was petrified. The evening meeting with the lizard was most unexpected; he wondered if he had done something wrong in the factory. Everything had been going so well! He had produced his alotted amount of sand this month; He was looking forward to attending the Aragon concert with his spider friends. Afterward he was to brunch at Charlie's (the castle, naturally).

When there weren't pebbles, there were unicorns; but only once in a while, as with the moon-melt, did the goblins begin their restive screeds. "Acorns aren't for eating," one would read, in the corner, angrily, but all the passers-by did not listen. They did not hear. They could not speak. There are no words for beginning. Anew.

Slits like spiders (think silk-road, Jack!)
are aghast bright-orange
& trumpets or containers of field
like the more rapaport
the morose apathetic crystal wear
sleeves of now-forgotten buzzers
and Kanamycin resistant bactoids
factoids and igneous white languid hues
Langston Hughes, revisited.

What are all these containers for?
I have already abandoned my feldspar
for something more sporting: a cleanly
knit wool garment that reminds me of
a sallow sloped out coroner, eating pasta
in his lower east side tenement.

Let's have a fuck party. I will bring the white teeth,
you the wine, her the cinema. CINEMA.

The cinema thieves

||| ---BRIGHT WHITE |||
   half-molested, cinema
thieves drabbled together like cobbled up
{mixed} where-do

HAIRS bright olfactory carpetting removed
like O-where do you fly, sprywar jackets or
day-glo limpid snooks. The black clackity
cracked bright cackles of jackals
and messed-out whitened stalefish.

The messed-out whitened stalefish
of that November eve
is what she remembered, what she remembered,
what she is a part of---------so like the snow
gloves she donned in handling her poor sparrow's
fetid remains.